Marco Mantovani, a Magician on the Piano | Lowcountry Weekly
Biography of Marco Mantovani, pupil of Andrea Lucchesini at Scuola di Musica di Fiesole and Aleksandar Madzar at Koninklijk Conservatorium Brussel. Currently Assistant professor and PhD researcher at KCB, mentored by Jan Michiels and Maria João Pires.
Marco Mantovani - Projects
Marco Mantovani, born in Mantova (Italy) in , obtained his Master in ‘Piano Performance’ with the highest distinction at ‘Royal Flemish Conservatory’ of Brussels in the class of Aleksandar Madzar. In he received the ‘Ingeborg Köberle’ Prize as ‘the year's most promising student’. Mantovani Marco |
He is currently Assistant professor of Piano and PhD researcher as well as Accompanist of the clarinet class at the Koninklijk Conservatorium Brussel. Cumbia della Luna — Marco Mantovani -
Do you remember the Mantovani Orchestra playing “Some Enchanted Evening”? Magical, don’t you agree? Well, pianist Marco Mantovani may as well be related to the conductor Annunzio Mantovani. He shares that captivating name, and he plays the piano with that magical Mantovani touch. 
Review: Schumann’s Fantasie in C – Marco Mantovani
The Marco Mantovani Foundation, established in and recognized by the Lombardy Region, seeks to preserve and enhance the works of the sculptor Marco Mantovani, as evidence of the life of an artist dedicated to sculpture and art. Marco Mantovani, a Magician on the Piano | Lowcountry Weekly
Mantovani reveals a second Schumann who is not merely a tortured poet reading the content of his soul into the world, but a vibrating string, plucked by circumstance and vibrating keenly in the listener’s ear.
Marco Mantovani, born in Mantova (Italy) in 1992, has graduated at the Conservatory of his city under the guidance of Antonio Pulleghini with the highest grades and honors. Afterwards he studied for three years with Andrea Lucchesini at “Scuola di Musica di Fiesole” (Florence, Italy).
Marco Faini, Paola Ugolini. Marco Mantovani (1992) studied in Mantova, Fiesole and at the Koninklijk Conservatorium Brussel with Aleksandar Madzar. During his studies in Brussels he was awarded the Ingeborg Köberle Prize as "the most promising student of the year".
KERVAN is an international and multidisciplinary discussion platform, dealing with the history, politics, economics, sociology, geography, visual culture. Well, pianist Marco Mantovani may as well be related to the conductor Annunzio Mantovani. He shares that captivating name, and he plays the piano with that magical Mantovani touch. Ask Marco when you come to Fripp on February 23 for his concert whether Annunzio and he are family members.
Review: Schumann’s Fantasie in C – Marco Mantovani
Marco Mantovani' doctoral research focuses on six piano pieces by Robert Schumann composed between 18(i.e., Fantasie op. 17, Fantasiestucke op. 12, Davidsbundlertanze op. 6, Novelletten op. 21, Kinderszenen op. 15, Kreisleriana op. 16), a period that was arguably one of the turning points in his personal and artistic life. Mantovani - Wikipedia
Biography of Marco Mantovani, pupil of Andrea Lucchesini at Scuola di Musica di Fiesole and Aleksandar Madzar at Koninklijk Conservatorium Brussel. Currently Assistant professor and PhD researcher at KCB, mentored by Jan Michiels and Maria João Pires. Marco Mantovani / Home Marco Mantovani (1992) studied in Mantova, Fiesole with Andrea Lucchesini and at the Koninklijk Conservatorium Brussel with Aleksandar Madzar. During his studies in Brussels he was awarded the Ingeborg Köberle Prize as "the most promising student of the year".Photos - Marco Mantovani Marco Mantovani, born in Mantova (Italy) in 1992, obtained his Master in ‘Piano Performance’ with the highest distinction at ‘Royal Flemish Conservatory’ of Brussels in the class of Aleksandar Madzar. In 2017 he received the ‘Ingeborg Köberle’ Prize as ‘the year's most promising student’.Agenda - Marco Mantovani Projects. Marco Mantovani, a classical artist from Bruxelles. Marco Mantovani' doctoral research focuses on six piano pieces by Robert Schumann composed between 18(i.e., Fantasie op. 17, Fantasiestucke op. 12, Davidsbundlertanze op. 6, Novelletten op. 21, Kinderszenen op. 15, Kreisleriana op. 16), a period that was arguably one of the turning points in his personal and artistic life.